The work titled *Superimposed* (2025/15 min) explores how perceptual experience flows between digital and instrumental music. Two artists (an audio-visual artist and a composer) seek to transform the denominator of their mutual resonance based on their respective imagination of music, sound, light, signal, and space.
 

The core concept revolves around how connections are established between “mediations.” With electronic sounds trying to directly convey the emotions of instrumental music and the latter being empowered with dynamism by borrowing the structure of electronic media form, this is a process of “becoming each other” that allows for expanding, beyond sampling, real instrumental sounds as the work’s elements. Furthermore, the subtle sounds and body motions produced during each music performance are captured; the latter become reference data for the digital processing of the electronic sounds.
 

With the data of sounds and gestures in performing, a virtual parallel space from the past beyond hearing emerges from the visual, activating the current music sounds/music “space” of the performer on site. Multiple deconstructions and reconstructions of perceptions and body memories in different time-spaces take shape through the flow of common signals between instrument sound, sounds, and images.

 

Note: In the title, “s” and “t” indicate “Interwoven Sound” and “Superimposed Time” respectively.