
CHIH-YUN WANG
王 之 筠
Composer
Compositions and Commissions (2021-2025)
2025
Aural Riddle of Echoed Memories (2024-25)
for 8 Musicians and Electronics (15’) included in portfolio of DMA doctoral dissertation
Emotional Ritual: Script (40’). This work is co-composed and formed by artist Ping-Sheng Wu
for choir, percussions, double bass, audiovisual and electronic
Superimposed (s, t) (12’) this work is co-composed and formed by artist Ping-Sheng Wu
for a live double bass soloist, audiovisual and electronic
Narcissus (7’) commissioned by National Center for Traditional Arts: Taiwan Music Institute
for Harp and Alto Saxophone
To Float, to Flutter, what will be? (13’) commissioned by Camerata Taiwan
for string orchestra
2024
Poupées : Tableaux Vivants
for SATB Saxophone Quartet (7’) will participate in the 2025 Kawasaki ACL Young Composers Competition in Japan
sponsored by the Department of Cultural Affairs, Taipei City Government& National Culture and Arts Foundation (Taiwan).
2023
The Misreading of Penrose
for Amplified Double Bass and Electronic (12’) sponsored by Artist-in-residence, CREATORS Program (Taiwan).
R'ra
for Orchestra (02’) written especially for National Symphony Orchestra (NSO) 2-Minute Composition Project (Taiwan).
2022
Liminality
for Clarinet, Double Bass and Piano (06’) commissioned by Asian Composers League (ACL Taiwan).
Reflets d’arc-en-ciel (A/B)
for Alto Saxophone and Doubel Bass (03’) written especially for 2022 ilSUONO Contemporary Music Week (Italy).
The Five Versions of a Dream
for Clarinet and String Quartet (11’) written especially for Multilatérale and Tana Quartet in 2022 ARCo Festival (Austria).
2021
Avidyā Mist / Before the Mist
for Large Ensemble (24’) sponsored by the National Culture and Arts Foundation (Taiwan).
Tear: Echo
for Orchestra (01’) written especially for NSO 1-Minute Composition Project (Taiwan).
Nocturne and Intermezzo Capriccioso
for Piano Quartet (11’) commissioned by Localtoboss chamber ensemble (Taiwan).
Cantilena of Shivering Bow
for Percussion solo and Electronics music (12’) commissioned and premiered by percussionist U-Lai Chan. (Taiwan).